Introduction to Theory of Lite.. - YaleCourses

          6/26 Videos
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1. Introduction
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00:39:29
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2. Introduction (cont.)
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00:46:31
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4. Configurative Reading
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00:52:14
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5. The Idea of the Autonomous Artwork
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7. Russian Formalism
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00:48:57
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8. Semiotics and Structuralism
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00:51:31
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9. Linguistics and Literature
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00:49:54
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10. Deconstruction I
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00:51:43
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11. Deconstruction II
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00:52:58
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12. Freud and Fiction
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00:50:40
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13. Jacques Lacan in Theory
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00:51:10
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14. Influence
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00:51:17
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15. The Postmodern Psyche
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00:52:50
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18. The Political Unconscious
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00:53:46
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19. The New Historicism
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00:53:22
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20. The Classical Feminist Tradition
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21. African-American Criticism
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00:53:58
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22. Post-Colonial Criticism
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00:54:42
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25. The End of Theory?; Neo-Pragmatism

6. The New Criticism and Other Western Formalisms

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Introduction to Theory of Literature (ENGL 300)

In this second lecture on formalism, Professor Paul Fry begins by exploring the implications of Wimsatt and Beardsley's theory of literary interpretation by applying them to Yeats's "Lapis Lazuli." He then maps the development of Anglo-American formalism from Modernist literature to the American and British academies. Some time is spent examining the similarities and differences between the works of I. A. Richards and his protegé, William Empson. The lecture finally turns to a discussion of Cleanth Brooks's conception of unity.

00:00 - Chapter 1. Yeats' "Lapis Lazuli" and Tony the Tow Truck
07:18 - Chapter 2. The New Criticism: Modernist and Academic Contexts
13:44 - Chapter 3. Earlier Close Readers: I. A. Richards
24:27 - Chapter 4. Earlier Close Readers: William Empson
37:50 - Chapter 5. Brooks and the "Implications of "Unity"

Complete course materials are available at the Open Yale Courses website: http://open.yale.edu/courses

This course was recorded in Spring 2009.

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